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S Log 2 Luts

25. 4. 2017

Adding to Resolve 14

a. File / project settings / Color Management / Open LUT Folderb. drop them to some of the allready existed folders (like sony)

Applying LUTs in DaVinci Resolve You can apply a LUT for color work in DaVinci Resolve 12.5 as follows. First, download S-Log2 LUTs from the Sony website and save them in the LUT folder, because DaVinci Resolve 12.5 only includes S-Log3 LUTs. Download 3D LUTs for DaVinci Resolve. Download K1 – Cinematic LUTs 02 – LOG LUTs – Sellfy – Free Luts Download. Sellfy K1 Cinematic LUTs 02 LOG LUTs Free Download – Luts Collection. CINEMATIC LUTs 02 LOG LUTs – K1 PRODUCTION – Sellfy details can be found below by pressing Buy Here or View Demo Button.

man
http://documents.blackmagicdesign.com/DaVinciResolve/20170424-d01b5c/DaVinci_Resolve_14_Reference_Manual.pdf

7d c-log?

  1. THIS LUT IS MADE FOR FOOTAGE SHOT IN S-LOG2. IT HELPS YOUR COLORS BE BEAUTIFUL. If you like this, you'll love Renegade 2, our S-LOG 2 LUT Pack that lets you add pro color grades to.
  2. The Canon Log feature includes two Look Up Tables (LUTs) that correct the recorded image’s gamma and color space when viewed on an external monitor. With Canon Log 10 to Wide DR LUT, the video file is converted to Wide Dynamic Range gamma, with well-preserved highlights and shadow detail.
  3. If you are not working in Davinci Resolve but rather using, let’s say, Premiere Pro, you can use the following log conversion LUTs. Inside this free download you’ll find the following 3 folders: 1D Adobe-Iridas -S-Log2 to S-Log3 Shaper – This is a gamma only 1D LUT that will work only in Adobe software such as Premiere Pro or Photoshop.

http://www.chungdha.nl/?s=c-log
http://philipbloom.net/blog/clog/
https://www.youtube.com/watch?v=RmCRhTedXpM

creating your own

just photoshop
https://www.youtube.com/watch?v=BmDy5-RdMng
with lut buddy
https://www.youtube.com/watch?v=o250fownOvE

stuff

bunch of luts and generator and 4k film grain (also deluts, including s-log2)
https://luts.iwltbap.com/ (8700, Aspen, Sedona and Arapaho seems all very nice.)

MPV player

Luts

a.IRC it can use ffmpeg filters?

S log 2 luts

And combine this with

say your 3DLUT transforms it from S-Log/S-Gamut to BT.709/BT.1886; then you’d have to use

Example that actually does something (if I add –vf=format.. everything looks default…)

b. Convert .cube deLUT to icc profile using OpenColorIO tools?
http://opencolorio.org/userguide/baking_luts.html#icc-profiles-photoshop
http://opencolorio.org/userguide/index.html

and use

In Debian Stretch this tools are actually in repos

Adobe Cube LUT Specification

Luts

Calibration vs. Technical vs. Creative Look LUTs

Calibration LUTs are used to ‘correct’ display inaccuracies, ensuring any images shown on the calibrated display as accurate as possible - allowing for the underlying capabilities and/or limitations of the display. These are the most important LUTs as their generation has to be performed with very high levels of accuracy, or all images sheen on the ‘calibrated’ display will be incorrect, causing the inaccuracy to ripple back down the workflow chain.

Technical LUTs are used to convert between different ‘standards’, such as from one colour space to another, which should make the LUTs simple to generate accurately.

Creative LUTs are often referred to as ‘Look LUTs’ as they are often used to set a look by a DoP on-set during filming, as well as to endow images with a specific look emulation, such as specific traditional film stocks.

Buy It Now – Special sale price $19.99

Special offer: Download EOSHD Pro Color 3.0 + Pro LOG together for just $29.99 ($49.99)

S-log 2 Luts Sony A7sii

EOSHD Pro LOG is a new flat film gamma profile which brings EOSHD Pro Color optimisations to LOG format footage.

It is compatible with a range of LUTs in post production, in addition there are 25 EOSHD Film Looks (LUTs) included, designed especially for Pro LOG.

Also included is an optimised S-LOG 2 profile and further LUTs designed exclusively by EOSHD for all S-LOG 2 footage!

A flat film gamma profile, Pro LOG is easier to grade than S-LOG and works at low ISO sensitive such as ISO 200, without the upper-minimum ISO limitations of S-LOG (which can sometimes be as high as ISO 3200).

Footage shot with EOSHD Pro LOG can be pushed and pulled in post, with meaningful exposure changes and white balance adjustments. You can also match colour from a Canon camera (Canon Faithful) using a special LUT included with the download.

There are two film gamma profiles included with EOSHD Pro LOG. “Pro LOG Cinema” and “Pro LOG S”. The “Cinema” profile has a similar gamma curve to C-LOG. It uses a colour gamut that doesn’t need to be expertly graded and yet it’s compatible with a range of LUTs including ones designed to be used with Canon LOG.

The second profile is an optimised version of S-LOG 2 with a different colour science, incorporating some of the benefits of EOSHD Pro Color with the benefits of S-LOG 2’s extremely wide dynamic range.

Advantages of Pro LOG Cinema

  • Works at any ISO sensitivity (for example ISO 200)
  • Easier to grade than S-LOG2
  • Similar curve to C-LOG and compatible with LUTs designed for Canon LOG
  • Enables use of exclusive EOSHD Film Looks only available with Pro LOG
  • Includes advantages of EOSHD Pro Colour, such as reduced colour clipping (i.e. prevents blue highlights turning turquoise of green), deeper and truer reds and better skin-tones
  • Significantly decreased banding compared to S-LOG3

Advantages of Pro LOG S

  • Maximum dynamic range
  • A more forgiving colour gamut than Sony’s default S-LOG profiles
  • Based on SLOG-2 gamma, therefore works with any LUT designed for S-LOG2
  • Enables use of EOSHD Film Looks for S-LOG 2 supplied with this guide
  • Includes advantages of EOSHD Pro Colour, but the final colour depends heavily on the LUT used in post.

EOSHD Film Looks

Pro LOG includes 25 LUT files for you to use in your edit or in your colour grading software, along with full instructions.

S Log 2 Luts

S Log 2 LutsLuts

These film looks are developed exclusively by EOSHD and work with Pro LOG Cinema, Pro LOG S and S-LOG 2 footage.

These provide a wealth of options to suit a broad range of footage and exposures, including:

  • Cinema 78 / 98 / 2016 – inspired by the colour grading fashion of each decade from film to high-end digital cinema
  • Faithful – designed to match Sony cameras with Canon in terms of contrast and colour
  • NightShoot – designed for low light shooting with creamy shadows and clean high ISOs
  • Highlight Priority – optimise shots with bright highlights against a dark background
  • Match Pro Color – to match footage shot with EOSHD Pro Color straight-out-of-camera
  • Chrome – a classic cinematic look, similar to EOSHD Chrome for Canon LOG
  • Scarlett – a Fuji velvia style film profile for extra punch and warm, vivid colours
  • Teal/Orange – maintains cool tones and warm tones in one shot, superb in mixed lighting conditions
  • WideDR – maximises dynamic range for scenes that need it!
  • Plus 16 more!

Camera Compatibility

Pro LOG is designed to work with the following models:

  • Sony A7S II
  • Sony A7R II
  • Sony A99 II
  • Sony A7S
  • Sony A7 II
  • Sony A6300 / A6500
  • Sony FS5
  • Sony RX100 IV / V
  • Sony RX10 II / III / IV

S Log 2 Luts

Sony cameras which lack advanced picture profile capabilities are not compatible (such as the RX100 M1 to M3, A9, old A7R, A6000 and RX10 M1).